Twilight of the books?
We all know the habit of reading for pleasure is dying. But a chilling article in the current issue of The New Yorker (”Twilight of the Books, www.newyorker.com/arts/critics/atlarge/2007/12/24/071224crat_atlarge_crain/) envisions the day when reading for pleasure may become merely “an increasingly arcane hobby.”
For many in America, I believe that day already has arrived. The question then becomes, Why does it matter? Why, when we have great choices available to us at little or no cost on TV, in the movies, on the Web and elsewhere, does it matter that we no longer rely on the printed word to stimulate our thoughts and imaginations?
For one thing, it matters because reading IS a unique, and uniquely stimulating, activity. Watching TV or a movie is principally passive, whereas reading is principally an activity of involvement. The action on the screen washes over you. But there is no “action” on the page; YOU must create the pictures, the sounds, the scents, the ambience. The author gives you the blocks; it’s up to you to build the building.
Right now I am in the middle of Bruce Wagner’s scarifying novel I’M LOSING YOU, Book I of his “Cellphone Trilogy.” It’s a great example of what I’m talking about. It is hands down the best thing ever written about Hollywood; but, even though it is about the movies, no movie could ever capture its subtleties. The novel is written in at least a dozen voices, through at least a dozen points of view, and every one of these narrators is unreliable. We the readers know more about them than they know about themselves, because of the skills of this uncommonly gifted author, who says so much but leaves so much more unsaid. Wagner is a screenwriter himself, but it doesn’t surprise me that he chose the novel form to tell this story.
I am also reading THIS IS YOUR BRAIN ON MUSIC by Daniel J. Levitin, a perfectly fascinating primer on neuroscience written with great panache by a guy who was in a rock band before he got his Ph.D. This book could indeed be made into a great series on PBS or the Discovery Channel, but you’d be watching a long long time before such a series could relay all the fascinating knowledge Levitin gracefully packs into 320 pages.
For another thing, failing to read for pleasure may be costing us some of our abilities to think. The New Yorker article makes this point in a variety of ways, among them the following. Quoting from a recent National Endowment for the Arts report, “To Read or Not to Read,” it says (striking terror into the hearts of parents everywhere): “Poor reading skills correlate heavily with lack of employment, lower wages, and fewer opportunities for advancement.”
And here’s another cost we risk, which I ran across while researching my recent presentation on getting boys to read: Fiction coaxes us to place ourselves in the shoes of characters we won’t encounter in life, thereby building our capacities for empathy and understanding — which, whether you’re caring for an injured person or negotiating a business deal, can be real useful in real life.
There’s a lot of fascinating neuroscience in the New Yorker article too, and some equally fascinating cultural anthropology. It compares our thinking styles with those of preliterate “oral” cultures to show how reading molds our worldviews and shapes what we are pleased to call “intelligence.” In one study it cites, illiterate peasants were unable or unwilling to make logical inferences about hypothetical situations. “Asked by [the researcher’s] staff about polar bears, a peasant grew testy: ‘What the cock knows how to do, he does. What I know, I say, and nothing beyond that!’” It continues:
“[Another researcher] synthesized existing research into a vivid picture of the oral mind-set. Whereas literates can rotate concepts in their minds abstractly, orals embed their thoughts in stories. According to [the researcher], the best way to preserve ideas int he absence of writing is to ‘think memorable thoughts,’ whose zing insures their transmission. [Shades of writing a “grabber” novel opening!] In an oral culture, cliche and stereotype are valued, as accumulations of wisdom, and analysis is frowned upon, for putting those accumulations at risk. There’s no such concept as plagiarism, and redundancy is an asset that helps an audience follow a complex argument.”
Not only novels will go bye-bye, but newspapers too (gone already, eh?), with their ability to present argument and counter-argument and go beneath the surface in a way broadcast news cannot do. Indeed, the New Yorker author, Caleb Crain, seems to think all is lost. “No effort of will is likely to make reading popular again,” he wrings his hands. “Children may be browbeaten, but adults resist interference with their pleasures.”
Hey, I do this stuff too. I listen to recorded books in the car all the time. I’m listening to Tom Perrotta’s LITTLE CHILDREN right now, and it’s first rate in the way a fine novel ought to be — you savor the prose and fill in the blanks, much as you’d do if you were reading instead of auditing. Because of that need to fill in the blanks, it seems to me that listening to books is a lot more like reading them than watching movies is.
I know this is a pretty heavy topic for Christmas Eve so I’ll lighten up. Have wonderful holidays, everyone. There’ll be enough time in the New Year to be afraid, very afraid.
Frank Joseph
www.tolovemercy.com
P.S. Remember about me being asked to be “Writer in Residence” at Thurgood Marshall Middle School in Chicago? Make that two schools. Thurgood Marshall has talked me up to the nearby Albany Park Multicultural Academy. For two weeks in early spring, I’ll be teaching seventh and eighth graders how to write narrative. Apropos of the above topic, if I were to save a soul or two I’d be a happy guy.
P.P.S. Apropos of none of the above (except the movies), the boffo boxoffice hit of the moment is “I Am Legend.” If you want to see a truly awful movie — implausible from the first scene on, maudlin, badly acted, badly directed, muddled story, bad ending, zero out of a possible five stars, what in the world can I think of to say worse about it? — this is that movie. Bah humbug!
